a5c7b9f00b There are nine realms of Asgard and once every 5,000 years they align. Earth happens to be one of these realms. These realms create portals between the worlds during the alignment which is called "Convergence". On Earth, in London, Jane Foster believes she and her crew have discovered one such portal. Foster, while investigating the phenomenon, is transported to another realm and comes in contact with a substance called Aether. Upon coming into contact with the substance, it draws Thor from Asgard back to Earth. Thor takes Jane to Asgard to be cured from the Aether. Unfortunately in doing so it draws more than just Jane to that world. Another being called Malekith wants to use the Aether to destroy Asgard. Devising a plan with his brother - the war criminal Loki, Thor heads to "The Dark World" to destroy the Aether and save Asgard. But can Loki be trusted?
When Dr. Jane Foster gets cursed with a powerful entity known as the Aether, Thor is heralded of the cosmic event known as the Convergence and the genocidal Dark Elves.
Like &#39;Iron Man 3&#39;, &#39;Thor: The Dark World&#39; finds us reunited with the hammer-wielding Norse demigod in a post-Avengers world, where - for the benefit of those who may not remember - Loki was last seen returned to his home planet of Asgard in manacles after wrecking half of New York following a megalomaniac plot to take over Earth. And so, picking up right after the events of that movie, one of the very early scenes has Loki meeting his stepfather and King, Odin (Anthony Hopkins), expressing absolutely no remorse for his actions before being committed to a glass- walled whited-out cell in the dungeon.<br/><br/>It&#39;s a huge pity we say, keeping Loki locked up for pretty much the first hour of the movie; indeed, the best moments of &#39;Thor: The Dark World&#39; are when Thor and his vengeful adopted brother Loki share the same screen, forging a shaky alliance to take down a common enemy that has united them (surprisingly) in grief. Thanks to their combined charisma, this sequel defies the second-act doldrums of most movies, truly coming to life at the halfway mark - beginning with Thor&#39;s treacherous plan to spring Loki out of prison (with the help of his pals of course) and continuing on to the black dunes of Svartalfheim where the squabbling siblings confront their foe. <br/><br/>Yet, not to get ahead of ourselves, there is of course a fair bit of scene-setting that needed to have taken place in order for our favourite hero and anti-hero to be brought together under those circumstances. Working from a story from Don Payne and Robert Rodat, screenwriters Christopher L. Yost, Christopher Markus and Stephen McFeely spin a Tolkiensque plot where the leader of an antagonistic alien race, Malekith (Christopher Eccleston), returns to plot the destruction of the Nine Realms using an all-powerful source of dark matter known as the Aether.<br/><br/>Long story short, a once-in-5000-years cosmic occurrence is about to converge the realms across time and space, which inadvertently causes Thor&#39;s Earthly love interest Jane Foster (Natalie Portman) to fall into a different realm when investigating the phenomenon and be infected with the Aether. Malekith wants her, so Thor jumps to her rescue to bring her back to Asgard - though the price of his half-valiant and half-selfish (after all, he does want to be close to her) act is laid bare when Malekith arrives at the kingdom and launches a deadly assault on Odin&#39;s palace. <br/><br/>Switching back and forth between Asgard and Earth, the trio of Yost, Markus and McFeely clearly struggle to find a consistent tone especially at the start. While the threat facing Asgard is treated with the utmost seriousness and solemnity, the proceedings back on Earth unfold with strained humour - whether the awkwardness between Jane&#39;s understudy Darcy (Kat Dennings) and her new intern Ian (Jonathan Howard), or even the odd behaviour of Jane&#39;s old mentor, Dr. Erik Selvig (Stellan Skarsgard), who goes butt naked in public at the Stonehenge. Between the two, we are much better off at Asgard, where veteran &#39;Game of Thrones&#39; director Alan Taylor is on more familiar territory.<br/><br/>It is also at Asgard that Taylor will stage the film&#39;s first stunning setpiece, which culminates in the turning point that sees Thor and Loki form that unlikely partnership. Malekith&#39;s assault on Asgard is staged with impressive clarity, starting from their stealth crossing at the Bi- frost bridge to their aerial attack of Asgard&#39;s defences to their storming of Odin&#39;s palace. There is little doubt Taylor&#39;s experience on the HBO series has placed him in good stead here, and more than previous director Kenneth Branagh, he demonstrates a boldness and imagination to stage the action on a much larger canvas.<br/><br/>That is also a nice segue into the reunion of Thor and Loki, which proves rewarding not just in the witty energetic banter that follows but also in yet another wowing setpiece that has the pair teaming up to outsmart Malekith. There is also crackling tension between them, especially since one knows better from the events of &#39;Thor&#39; and &#39;The Avengers&#39; than to trust the scheming Loki to have abandoned his insatiable thirst for power and position. Unfortunately, Loki doesn&#39;t quite have a place in the nonetheless outstandingly conceived finale set in Greenwich, London; that said, what adrenaline Loki&#39;s return brings to the film is still very much intact by the final showdown rolls around.<br/><br/>Kudos to Taylor for putting up not just a thrilling, but also an extremely fun exercise in physical displacement at the climax, as Thor pursues Malekith across multiple dimensions in the midst of the convergence. Rather than just visual spectacle, there is good tongue-in- cheek fun to be had as the characters appear and disappear from one realm to another without forewarning - and we especially like that one which ends up with Thor taking the Tube three stations from Charing Cross to Greenwich. Unlike Christopher Nolan&#39;s superhero screen incarnations &#39;The Dark Knight&#39; and even &#39;Man of Steel&#39;, Marvel has never failed to find humour in the midst of spectacle, and this enormously entertaining finale is a great example of that.<br/><br/>And yet compared to Branagh&#39;s origin story, there is still something lacking in this sequel. For one, the narrative isn&#39;t quite as compelling this time round - especially as Malekith proves quite the underwhelming villain. For another, it lacks the humanity that made its predecessor something more - and by this we mean not just the bond between Thor and Loki, but also that between Thor and Jane. Still, you cannot fault the assuredness of the performances by Chris Hemsworth and Tom Hiddleston, nor for that matter the action, otherworldly grandiosity and occasionally well-placed humour that makes it an overall crowdpleaser - if anything, it proves the Marvel juggernaut continues to be very much in shape, no less evident from a mid-credit and a post-credit scene that will have its fans in rapture.
Yes, It&#39;s unintentionally funny, stupid and overly long. Both &quot;Superman Returns&quot; and &quot;Man of Steel&quot; have more merit, and that&#39;s stretching things! Watch it for the two hot girls and pumped up Chris. Watch it for the over-the-top computer graphics. Check your brain at the door. I didn&#39;t even enjoy &quot;Guardians of the Universe&quot; that much. I guess I am having SFX overload. Think of how much better even Superman III-IV could have been with all these mindless explosions! I was tired after watching the first hour of this mess. Everything in the last half was totally predictable. Where did &quot;Papa Thor&quot; go? Back to the Smurfs? I thought I was watching &quot;Independence Day 2&quot; for a while. You must watch the &quot;Easter Eggs&quot; between the 10 minute credits. Mind-numbing and stupid but great for adolescent boys who like &quot;manly&quot; women, &quot;WWE&quot; and all that stuff. Very redundant to the first Thor. Verdict: Thor 2 made my head sore!
A film that is enjoyable in spots, but haphazard and ultimately unsatisfying.
Thor is a character created by comic book writers, artists, and editors Stan Lee, Larry Lieber, and Jack Kirby. He debuted in the August 1962 issue of Journey Into Mystery (#83). The screenplay for Thor: The Dark World was a collaborative effort by American screenwriters Christopher Yost, Christopher Markus, Stephen McFeely, Don Payne, and Robert Rodat. Thor: The Dark World is the second movie in the Marvel Cinematic Universe&#39;s Thor series, preceded by <a href="/title/tt0800369/">Thor (2011)</a> (2011) and followed by <a href="/title/tt3501632/">Thor: Ragnarok (2017)</a> (2017). Marvel&#39;s Thor also appears in <a href="/title/tt0848228/">The Avengers (2012)</a> (2012) and <a href="/title/tt2395427/">Avengers: Age of Ultron (2015)</a> (2015). Thor (<a href="/name/nm1165110/">Chris Hemsworth</a>) whisks astronomer Jane Foster (<a href="/name/nm0000204/">Natalie Portman</a>) to Asgard when he learns that she has been possessed by a unknown energy. When Odin (<a href="/name/nm0000164/">Anthony Hopkins</a>) identifies the energy as &quot;the Aether&quot;, a weapon that Asgardian warriors hid long ago to prevent it from being used by the Dark Elf leader Malekith (<a href="/name/nm0001172/">Christopher Eccleston</a>), who comes looking for it, Thor is forced to enlist the aid of his treacherous brother Loki (<a href="/name/nm1089991/">Tom Hiddleston</a>) in order to save Asgard. However, Loki may have his own plans. Every 5,000 years, the Nine Realms align perfectly, allowing the borders between the realms to become blurred, so people and things can easily pass between them. Leaving Jane in London with Eric (<a href="/name/nm0001745/">Stellan Skarsgård</a>), Darcy (<a href="/name/nm0993507/">Kat Dennings</a>), and Ian (<a href="/name/nm1401022/">Jonathan Howard</a>), Thor returns to Asgard. Odin offers him the throne, but Thor refuses it, saying he will protect Asgard and the Realms with his last every breath but not from the throne. &quot;I&#39;d rather be a good man than a great king,&quot; he explains. He tells Odin about Loki&#39;s final sacrifice, adding that Loki understood rule better than he ever could. Thor offers Mjölnir to Odin, but he refuses it, saying that it belongs to Thor. Odin then gives him the freedom to pursue his own life, presumably with Jane. As Thor walks out, Odin&#39;s shape shifts, revealing that he is really Loki. Actually, there are three scenes. In the first one, Volstagg (<a href="/name/nm0829032/">Ray Stevenson</a>) and Sif (<a href="/name/nm1526352/">Jaimie Alexander</a>) are shown delivering the Aether to The Collector (<a href="/name/nm0001125/">Benicio Del Toro</a>), who promises that it will be absolutely safe in his collection but asks why they don&#39;t keep it secure in their own vault. Volstagg explains that the Tesseract is already on Asgard, and it wouldn&#39;t be wise to keep two Infinity Stones so close to each other. As Volstagg and Sif walk away, the Collector looks at the safe holding the Aether and says to himself, &quot;One down, five to go.&quot; In the second scene, Jane hears thunder, runs outside, and finds Thor has returned. They embrace. In the final scene, a Frost Giant from Jotunheim, accidentally transported to Earth during the final battle, continues to run amok. In the Marvel Universe, the Collector is one of the Elders of the Universe, a group of powerful beings who are among the oldest mortals in that universe. They are primarily defined by their obsessions, such as the Grandmaster who focuses on games of skill and chance while the Champion searches the universe for challenging beings to fight hand to hand. In the Collector&#39;s case, he is obsessed with collecting various objects and beings, often without regard for the proper ownership or liberties involved. He appears again in <a href="/title/tt2015381/">Guardians of the Galaxy (2014)</a> (2014). The Infinity Stones (Infinity Gems) are items with reality-altering powers that exceed every other force or power shown so far in the Marvel Cinematic Universe (MCU). When all of them are collected in an Infinity Gauntlet, the wielder is given power to destroy complete universes. Up to this point, a Infinity Gauntlet have been revealed, the right-handed one that was briefly shown in <a href="/title/tt0800369/">Thor (2011)</a> inside Odin&#39;s chambers. It&#39;s hinted that only extraordinary individuals can survive touching the Stones barehanded, and even in that case, it requires a great willpower to use the power of the Stones without a Gauntlet itself. Although the Stones had not yet been explicitly mentioned in the MCU at this point, several of them had already come by up. In a proper filmmaking point of view, these are the MacGuffin that keeps the entire MCU franchise united. At the end of The Dark World, three of the six Stones have been revealed and located:<br/><br/><ul><li>Blue (Space Gem): Hidden inside the Tesseract, it can open portals to between universes. First seen in <a href="/title/tt0458339/">Captain America: The First Avenger (2011)</a> (2011), where the Red Skull located it in a Norwegian monastery and used its energy to create highly advance weaponry during World War II. It&#39;s hinted in <a href="/title/tt1228705/">Iron Man 2 (2010)</a> (2010) that the original Arc Reactor technology used by Iron Man was designed based on knowledge Howard Stark once he recovered the Tesseract. In The Avengers, Loki and a mind-controlled Erik Selvig use it to open a portal to let the Chitauri army enter the Earth. Also, it&#39;s revealed that S.H.I.E.L.D designed new weaponry based on Tesseract technology as a backup in case the Avengers Indicative would fail. After Loki&#39;s defeat, Thor took it back to Asgard. It&#39;s kept in Odin&#39;s chambers and accessible to Loki once again, as well as the aforementioned Infinity Gauntlet, having taken control of Asgard during the events of The Dark World.</li></ul><br/><br/><ul><li>Red (Reality Gem): Hidden inside the Aether, it has the ability to transform matter into dark matter. First seen in The Dark World, thousands of years ago in a war where King Bor of Asgard (father of Odin) defeated Malekith, leader of the dark elves. In modern times, Dr. Jane Foster discovered it once again while studying gravitational disturbances in London, putting her own life in danger. During the events of the Convergence, Malekith briefly took control of it inside his body, rendering him near invincible. After Thor&#39;s victory over him, it was handed over to the Collector to avoid having two Infinity Stones together in the same place. The Collector&#39;s alliances and ultimate goal were unknown at this point.</li></ul><br/><br/><ul><li>Yellow (Mind Gem): Hidden inside Loki&#39;s scepter, it has the ability to control minds as well as create new ones, such as Ultron and the Vision. First seen in The Avengers when it is assumed that Thanos himself or The Other (leader of the Chitauri army) gave it to Loki. With it, Loki stabbed and killed Agent Phil Coulson, causing Iron Man, Black Widow, Thor, Captain America, Haweye and Hulk to unite to avenge him. Natasha Romanoff (Black Widow) used it to close the portal Loki and a mind-controlled Dr. Selvig created it to let the Chitauri army attack New York. S.H.I.E.L.D. took it under custody for study.</li></ul><br/><br/><ul><li>Purple (Power Gem): Yet to be revealed.</li></ul><br/><br/><ul><li>Green (Time Stone): Yet to be revealed.</li></ul><br/><br/><ul><li>Orange (Soul Stone): Yet to be revealed.</li></ul><br/><br/>These remaining three Stones and their respective powers are revealed over the course of MCU&#39;s Phase 2—comprised of <a href="/title/tt1843866/">Captain America: The Winter Soldier (2014)</a> (2014), <a href="/title/tt2015381/">Guardians of the Galaxy (2014)</a> (2014) and <a href="/title/tt1300854/">Iron Man 3 (2013)</a> (2013), culminating in <a href="/title/tt2395427/">Avengers: Age of Ultron (2015)</a> (2015), with <a href="/title/tt0478970/">Ant-Man (2015)</a> (2015)—and Phase 3—comprised of <a href="/title/tt3498820/">Captain America: Civil War (2016)</a> (2016), <a href="/title/tt1211837/">Doctor Strange (2016)</a> (2016), <a href="/title/tt3896198/">Guardians of the Galaxy Vol. 2 (2017)</a> (2017), <a href="/title/tt2250912/">Spider-Man: Homecoming (2017)</a> (2017), <a href="/title/tt3501632/">Thor: Ragnarok (2017)</a> (2017) and <a href="/title/tt1825683/">Black Panther (2018)</a> (2018), culminating in <a href="/title/tt4154756/">Avengers: Infinity War (2018)</a> (2018) and <a href="/title/tt4154796/">Untitled Avengers Movie (2019)</a> (2019), with <a href="/title/tt5095030/">Ant-Man and the Wasp (2018)</a> (2018), <a href="/title/tt1270797/">Venom (2018)</a> (2018) and <a href="/title/tt4154664/">Captain Marvel (2019)</a> (2019). Yes. There is an uncredited cameo by <a href="/name/nm0262635/">Chris Evans</a> as Steve Rogers / Captain America. Loki masquerades as Steve during a conversation with Thor. Additionally, there is a S.H.I.E.L.D. logo on one of Jane&#39;s equipment and they are mentioned several times. He can be seen in a psychiatric hospital asking Erik Selvig to give back his shoe.
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